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AVAILABLE SCRIPTS
by Gini Graham Scott 
The following scripts by Gini
Graham Scott are available. We have access to additional funding on some projects
and can assist with fundraising, marketing, and promotion.
Cop/Action/Legal/Mystery/Thrillers
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MONEY &
MURDER: a cop/action/mystery
thriller; based on a true story
After a
homicide secretary's wealthy friend, seeking divorce, becomes ill, the
secretary suspects the husband of poisoning her. After her friend's death,
with help from her boyfriend and homicide detective, she prevents a
cremation and foils efforts to dispose of the body, leading to a chase
through an abandoned shipyard and capture of two gunman and the husband.
(Delphinius Management is currently representing this project).
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ROYAL FLUSH: a lawyer/cop/pursuit/action thriller; based
on a true story.
A federal prosecutor matches wits with an international drug trafficker
posing as an importer, who charms a jury, escapes prison, and enters high
society. When the prosecutor pursues with an FBI agent using surveillance,
stings, undercover agents, informants, wiretaps, and a hotel raid, he nearly
loses the case, his job, and reputation, but succeeds due to an unexpected
clue. (Delphinius Management is currently representing this project). |
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DEAD BEAT: a cop/action/mystery thriller.
After a beat cop with marriage
problems has an affair with a neighborhood activist battling drug dealers,
she turns up dead and he could be the suspect. Fearing the lies of
criminals and a media circus, he turns to his brother-in-law and homicide
investigator to help find the real killer, and they risk getting killed as
they investigate. |
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THE PARKING LOT: a cop/action/mystery/thriller.
After a battle over a
supermarket parking space, one woman investigates and discovers the other
woman, her husband, and two partners are involved in a chop shop, illegal
immigration, welfare fraud, and banker's murder. Threatened by exposure,
they attempt to kill her and the cop helping her, leading to an ambush, car
chase, and pursuit through city sewers. |
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KILL.NET: a cop/mystery/teen
slasher-serial killer film.
Henry, a nerdy computer systems administrator, enjoys meeting women in a chat room. He goes off the deep end after his wife leaves and he begins meeting
and killing the women as a sexual turn-on and to get back at his wife. When the bodies
turn up, two cops investigate, while the local press runs headlines about a serial killer
on the loose. After the cops realize Henry is meeting his victims on the Internet, they track him down by gathering clues
with the help of an undercover woman cop. They arrive in time to prevent him killing his wife and
capture him after a dramatic chase. |
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MOVING ON: a cop/action/mystery thriller.
A 30something writer, has
problems with a landlord, broker, moving company, and mover when she
moves. After she starts investigating and uncovers their criminal secrets,
they try to kill her. A cop teaching a class she takes helps her discover
the guilty parties, and she gains her dream house and the cop. |
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Sci-Fi/Contemporary/Legal/Crime/Action/Dramas
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BRAIN SWAP: a sci-fi legal/crime action drama.
Sam, a wealthy businessman,
whose life and health are failing, seeks a new life through a brain
transplant into a dying criminal. As Jack, he marries and becomes a
respected community leader until a TV story leads to his arrest for murder.
His trial becomes a media circus about who he is - Jack, Sam, the criminal.
(Ed Hansen Productions is currently seeking funding for this project). |
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WILD CHILD.
a sci-fi contemporary drama about relationships.
A U.S. archaeologist working in
Mexico discovers 20,000 year-old skeleton and uses the DNA in a cloning
experiment and to have the child, since he and his wife can't have one.
Though he expects the child to grow up normally, she becomes increasingly
wild, leading to a media firestorm, flight to Mexico to return her, and
surprise ending.
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RETURN OF THE MAYA. A sci-fi action drama.
After guns and artifact
smugglers encounter bandits in Mexico, their boss uses DNA from an ancient
Mayan ruler to create an army of androids to eliminate the bandits and build
a corporate empire. After villagers begin disappearing through kidnappings
and deadly rituals, a US archaeologist and Mexican girlfriend find their
headquarters at a
Mayan site and foil their plans. |
Contemporary Drama
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DELUSION: psychological drama about relationships and
mental illness; based on a true-story.
Jerry, 40, a struggling writer, encounters Don, a now successful high school and
college friend, who launches an Internet publishing venture after his wife leaves him
As the venture goes sour, Don has a manic-depressive breakdown and turns to Jerry.
As Don's fantasies grow, Jerry gains success by helping Don, shown by a surprising twist
at the end. |
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WHY I KILLED MY TEACHER: drama of
contemporary relationships.
Janice, 23, a popular graduating
senior in college, seems to have it all, when she becomes the coordinator in
a marketing internship led by a new teacher, Peggy, 40. But conflict
escalates, the class undergoes a series of crises, and Janice feels she is
losing her power and popularity. After a series of confrontation over
fabricated research, missed deadlines, and missing money, she wants to kill
her teacher, and tries to do so. But a twist conclusion shows what really
happened. |
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INTERNET ADDICT: drama of contemporary relationships.
A 30something computer store salesman is addicted to high-tech and the
Internet and is losing his girlfriend as the high-tech boom crashes. He
joins other high-tech casualties in a support group that helps him regain
balance in life and rescue a woman neighbor, who has recently emerged from
her shell after a traumatic experience and finds herself in danger.
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For bio and promotional information on Gini
Graham Scott, visit her Web sites at: www.ginigrahamscott.com
(for information on speaking, workshops, and seminars) and
www.giniscott.com (for information on
writing and books). Samples of previous books and articles are at
www.giniscott.net.
For more details on the scripts, contact:
SCREENWORKS
6114 La Salle Avenue, #358 . Oakland, CA
94611
(510) 339-1625 . Fax: (510) 339-1626
Or send us E-mail at Screenworks

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